Friday, 17 August 2012

Latest news August 2012

Recent news August 2012. I am glad to report that I have now passed my LGSMD diploma in piano performance, and so am now a Licentiate of Guildhall School of Music and Drama. I performed Bach Chromatic Fantasy and Fugue, Ravel Sonatine, Debussy Prelude 'La Terrasse des Audiences au Clair de Lune', and Chopin 4th Ballade in F minor.

I am now preparing my next piano performance Diploma, FRSM  which I shall take in the winter of 2012, and I shall perform two late Beethoven Sonatas Op 109 and Op 110.

July 2012

Congratulations to Maya Garside for performing Liszt concert etude 'Un Sospiro' in Prague! Congratulations to Tanya Evans for gaining Grade 7 with Merit! Congratulations to Alla Garside for gaining Grade 6 Distinction! Congratulations to Louisa Van Aeken for gaining Grade 4 with Merit! Well done everybody, keep practising!

Thursday, 2 August 2012

Recent pupil results

Congratulations to Maya Garside for performing Liszt concert etude 'Un Sospiro' in Prague! Congratulations to Tanya Evans for gaining Grade 7 with Merit! Congratulations to Alla Garside for gaining Grade 6 Distinction! Congratulations to Louisa Van Aeken for gaining Grade 4 with Merit! Well done everybody, keep practising!

Saturday, 9 June 2012

wonderful performance

Have been a fan of Hungarian pianist Deszo Ranki for a long time. Just came across this supremely musical performance of Mozart with the ECO... enjoy!



Tuesday, 5 June 2012

Recent repertoire discoveries

One of the great things about playing and teaching piano is the enormous repertoire that is out there just waiting to be discovered. Several centuries of music, with every piece and every composer telling a story.

Take the Russian composer Alabiev, for example. Born into a wealthy family in Siberia in 1787, he fought as an officer in the Napoleonic wars.  Aged 38 he was arrested on the charge of murdering a man he had gambled with. Though the evidence was not conclusive he was imprisoned for 6 years, during which time he composed this song "Solovey' (Nightingale).

The song eventually became so famous that it entered mainstream Russian consciousness as a folk song. (somewhat the reverse of the Bartok effect where folk music entered the classical repertoire).

Here's a wonderful performance of Liszt's transcription of Alabiev's "The Nightingale" performed by Ignaz Friedman



And here's a Glinka variation on Alabiev's  Nightingale performed by a 12-year old wunderkind from Russia, Syuzanna Rudanovskaya who demonstrates for us how to play the piano.



Alabiev's  "Nightingale" makes a fabulous addition to the bird repertoire within piano music, along with Janacek: The Barn Owl has not Flown Away; Balakirev's The Lark; Schumann The Prophet Bird, etc etc.

Congratulations!

Congratulations to Alla Garside for winning the 1st prize, Emily Crow Championship Cup at St Swithuns School, Winchester, in May 2012! Alla performed Kabalevsky (Cavalryman) and Bonsor (Dreamy) from her Grade 6 repertoire.

Friday, 6 April 2012

Congratulations!

Congratulations to my three pupils who took piano grade exams this term, Mike Huang (Grade 8 Distinction); Emmy Huang (Grade 6 Distinction), and Natalya Evans (Grade 4 Distinction).

I was very proud that each pupil received 22 marks out of possible 22 for at least one of their piano pieces! Mike and Emmy have both been invited to play at a High Achievers Recital.
Well done and take a huge pat on the back all of you!

Wednesday, 21 March 2012

Congratulations!

Congratulations to all my pupils who did very well at Southampton Music Festival, March 2012. In particular congratulations to Abhinav Tiwari for winning the Fairclough Challenge Cup (Grade 8 recital class); Mike Huang in the same class came in second place.  Emmy Huang won the Lady Cooper Challenge Cup (Grade 6-7 recital class); Tatiana Evans and Anton Taraban came second in their classes.
I myself won the Vivien Evans cup for adult open piano recital, performing Bach-Siloti Organ Prelude in G Minor, Bella's Lullaby which I composed in 2010, and Kapustin Concert Etude no. 1.

Thursday, 16 February 2012

Queen of the tutu

Well I am surprised just how many tutus there are out there on the piano stage.

First up was Aimi Kobayashi, a wonderfully musical prodigy from Japan. Such a natural, heart-warming, sunny talent.

But now battle has been joined by Abigail Sin, who shows staggering concentration and supple virtuosity in Dutilleux's taxing Sonata. She definitely deserves more listeners.

The Jury is out on the battle for Queen of the Tutu: Miss Sin - more uploads please!


Nikolai Kapustin

I have been listening widely to this amazing Russian composer. Jazz influenced, he studied with Russian pedagogue Alexander Goldenweiser, and videos of Kapustin performing show that he amazing fluency and a biting rhythm. Over 100 opus numbers to his credit, hats off to him... Would love to know more about him, and how he survived all these years as a composer before being 'discovered' only recently.



His Concert Etude which I have been learning recently is tricky, but yields to practice.
There seems to be an inverse law, that pieces which sound difficult really do become easier the more you practice (Liszt, Kapustin), but pieces which sound easy (such as some Mozart and Bach) seem to become harder and harder!

Congratulations!

To my pupil Alla Garside, congratulations on winning a music scholarship at King Edward VI school! Keep up the good work!

Tuesday, 17 May 2011

Anton Rubinstein

A transcription of words by (possibly) the greatest pianist after Liszt:
"the purpose of art is to uplift and spiritualise, not necessarily to entertain... art is aristocratic, not democratic... music demands a consecration, a cultus in the temple to which only the initiated are admitted: she demands to be the chosen of the elect, to possess somewhat of the mysterious".
Rubinstein demanded that pupils learn to sing, for without an understanding of breathing and phrasing, piano playing degenerates into mere fingerwork.

acknowledgements to Larry Sitsky, "Anton Rubinstein" pp18-22

Tuesday, 26 April 2011

Pianistic snobbery?!

We can be very snobbish in our approach to pianists.
Sometimes we are put off by the gossip surrounding a pianist, or by their appearance, or their nationality. This makes it harder for us to simply listen to their musical performances.

The problem is perhaps - how hard it is to simply listen to music! Listening, like meditating, it is simple to say and hard to do. Both activities involve physical passivity; an emphasis on our inner world; and a determination to ignore the petty complaints of our own mental policeman. Two thorny old examples: the nine wives of Nyiereghazy seem to put some people off that amazing Hungarian; and Maria Callas' romances confuse many people from listening with their soul to her singing.

Here are two AMAZING pianists from down under who deserved much much better: Geoffrey Tozer and Noel Mewton Wood, both from Australia.

Geoffrey Tozer is one of VERY few pianists of recent years who seem to play like a Golden Age pianist: a golden sonority; a loose-limbed flexibility assisting virtuosity; an emphasis on conveying mood rather than on hitting the right notes in a tight and controlled way.
If you watch how relaxed (keeps breathing!) and musical he is while navigating the scarifying parts of Paul de Schlozer’s etude: fluidity to die for, and I’m sorry to say that so many currently celebrated virtuosi are not even approaching the same league.
http://www.youtube.com/watch?v=BYs3BPmGMBg&feature=related


Noel Mewton Wood - the Classical piano world’s answer to Nick Drake. He committed suicide aged 31 by swallowing prussic acid, on learning of the death of a friend. Yikes. But just give him a chance: his Weber sonata no 2 could hardly be bettered - the warm tone, the gorgeous pedalling, the superb phrasing.
http://www.youtube.com/watch?v=pGxtFIE5AX0&playnext=1&list=PLBEA66FDF7BB14896

If he were an 18-year old Russian prize winner, performed Chopin Polonaises, and dated a secretary at ICA, for sure we would listen more easily. How fashion -driven are our two ears!

Perhaps their two chief forbears in the Australian lineage are Eileen Joyce and Percy Grainger:

Eileen Joyce can be seen here performing Grieg, again with admirable freedom, musicality in abundance and joie de vivre:
http://www.youtube.com/watch?v=HeAp512sdGs&feature=related

Percy Grainger seems to be undergoing a long overdue image rehabilitation, his recording of the Chopin B minor sonata remains one of the finest ever made, no easy achievement!