Tuesday 17 May 2011

Anton Rubinstein

A transcription of words by (possibly) the greatest pianist after Liszt:
"the purpose of art is to uplift and spiritualise, not necessarily to entertain... art is aristocratic, not democratic... music demands a consecration, a cultus in the temple to which only the initiated are admitted: she demands to be the chosen of the elect, to possess somewhat of the mysterious".
Rubinstein demanded that pupils learn to sing, for without an understanding of breathing and phrasing, piano playing degenerates into mere fingerwork.

acknowledgements to Larry Sitsky, "Anton Rubinstein" pp18-22

Tuesday 26 April 2011

Pianistic snobbery?!

We can be very snobbish in our approach to pianists.
Sometimes we are put off by the gossip surrounding a pianist, or by their appearance, or their nationality. This makes it harder for us to simply listen to their musical performances.

The problem is perhaps - how hard it is to simply listen to music! Listening, like meditating, it is simple to say and hard to do. Both activities involve physical passivity; an emphasis on our inner world; and a determination to ignore the petty complaints of our own mental policeman. Two thorny old examples: the nine wives of Nyiereghazy seem to put some people off that amazing Hungarian; and Maria Callas' romances confuse many people from listening with their soul to her singing.

Here are two AMAZING pianists from down under who deserved much much better: Geoffrey Tozer and Noel Mewton Wood, both from Australia.

Geoffrey Tozer is one of VERY few pianists of recent years who seem to play like a Golden Age pianist: a golden sonority; a loose-limbed flexibility assisting virtuosity; an emphasis on conveying mood rather than on hitting the right notes in a tight and controlled way.
If you watch how relaxed (keeps breathing!) and musical he is while navigating the scarifying parts of Paul de Schlozer’s etude: fluidity to die for, and I’m sorry to say that so many currently celebrated virtuosi are not even approaching the same league.
http://www.youtube.com/watch?v=BYs3BPmGMBg&feature=related


Noel Mewton Wood - the Classical piano world’s answer to Nick Drake. He committed suicide aged 31 by swallowing prussic acid, on learning of the death of a friend. Yikes. But just give him a chance: his Weber sonata no 2 could hardly be bettered - the warm tone, the gorgeous pedalling, the superb phrasing.
http://www.youtube.com/watch?v=pGxtFIE5AX0&playnext=1&list=PLBEA66FDF7BB14896

If he were an 18-year old Russian prize winner, performed Chopin Polonaises, and dated a secretary at ICA, for sure we would listen more easily. How fashion -driven are our two ears!

Perhaps their two chief forbears in the Australian lineage are Eileen Joyce and Percy Grainger:

Eileen Joyce can be seen here performing Grieg, again with admirable freedom, musicality in abundance and joie de vivre:
http://www.youtube.com/watch?v=HeAp512sdGs&feature=related

Percy Grainger seems to be undergoing a long overdue image rehabilitation, his recording of the Chopin B minor sonata remains one of the finest ever made, no easy achievement!